#obviously they have different storylines but its still similar

[5a-alf]

So hey I've been obsessed with trigun this bast four months, specifically the '98 version, and obviously vashwood

This couple felt SO familiar to me and i couldn't figure out why

And the other day i had a realization..

Vashwood = Satousugu

Vash is SO Gojo and Geto is Wolfwood, it's so clear now

[muffinrecord]

Also I'm a little harsh on Magia Record's storyline being a little... soft? On the hostilities between characters. But I also understand why things are resolved the way they are.

Magia Record is ultimately a story about characters coming together and saving each other. It's baked into the gameplay-- the connect was a big feature that even made its way into the anime.

You can tell the vibe of the game just by comparing it to the anime in fact. In the anime, a ton of characters die. Iroha is unable to save Kuroe, Mifuyu and Momoko have to die as penance in exchange for saving the ones they mislead, Homura fails to save Madoka (and possibly other PMMM original characters) and rewinds time, Ui dies, Touka dies, Nemu dies. Alina dies. Alina's interactions with Karin amount to mostly fan teasing. We see magical girls in the background who are working together against Walpy, but Kanagi is barely present, which means she doesn't have her moments of grouping up with Yachiyo (and all that represents for the east versus west conflicts).

In the anime, the girls fail.

In the game, they succeed. Characters like Mifuyu, who lead others astray, try to kill themselves for redemption but are prevented from doing so because her friends love her and want her to stay with them. Kanagi gets to work with Yachiyo, showing that they have bonds and similarities beyond their differences. Momoko's group never fractures and joins the Wings of Magius, so their friendship continues to keep them propped up and saved. Kuroe is introduced late in the game but she obviously survives and learns to live on. Homura gets to save Madoka and stay her Glasses self, continuing to deepen her friendships with the rest of the gang. Ui, Touka, and Nemu get to be friends again. Touka and Nemu are put on trial but still get to work to try and save humanity. Alina fails to kill people and has Karin more prominently present to remind you of her softer sides, Nemu fails to get herself killed, and blah blah blah, you get my point. This isn't even getting into arc 2, where characters start off very hostile to everyone but smooth at towards the end.

I've got my own personal dislikes of how conflict ends in Magia Record sometimes-- I feel like it takes the easy way out and ignores more interesting routes. I think ending a story so that everyone gets along can be boring and lazy sometimes.

At the same time, I do respect the writing direction for it. I think there's value in saying that everyone (or damn near everyone) can be saved, that people ultimately want to help each other. People want to connect with other people. Friendship can save all. Your friend might be going down a dark path but you can save them through the power of subtextual yuri companionship, compassion, and understanding.

Like, it's a fantasy because you shouldn't be burning yourself to help others, but also fantasy isn't always bad. Sometimes it's nice to have stories where things work out for the better.

I do think though this is why the darker stories in the game really stand out as fan-favorites. Glasses Homura failing to save Kuro is such a gut punch because it feels like that should be impossible in the world of Magia Record, where you can march into a cult and make the leaders into good guys again. Mikoto's pain and suffering stands out because Hanna is never coming back and Mikoto isn't going to get better again. Ryo and Ikumi stay dead. Jun stays dead. Sakuya stays dead. They don't come back.

I'd wager that one reason the story "Girls in the Hood" and its follow up "Dependence Blue" are so popular (besides good writing) is because the fantasy fails and has painfully realistic outcomes in it. Jun isn't able to prevent Mitsune from contracting, despite trying her best to show that you don't need magic to be strong. The two struggle with communicating with each other, despite how much they care for one another. And Jun dies without their feelings being resolved. In a story where so many characters get happy endings (or learn to accept their circumstances), stories like this stick out and have a painful resonance.

I'm meandering again, but yeah. I wish Magia Record was more brave with its writing and that it wouldn't chicken out on pursing conflict at the expense of making characters unlikeable, but I also feel like that wasn't what it wanted to do either. We can say that it's because they wanted to keep their characters as loveable as possible given that it's a gacha and they need to market it to you, but it's also just a storytelling direction that they preferred at the end of the day. I don't have a link but I remember hearing that the writers wanted to keep the game light, that they didn't want people to log in and feel miserable playing a phone game (I could be very badly remembering this).

And you know what, sometimes that kind of cozy friendship-defies-all was very comforting. I dunno. Yeah.

[atopvisenyashill]

one thing i remain baffled by is how they decided to portray jace's visit to winterfell. they made cregan's voiceover the opening sequence of the entire season yet gave us next to nothing to explain why he gets so involved later on. it's almost like they treated the north's appearance as fan service. i understand them deciding that the accounts we have are inaccurate or biased, but if none of that was cregan's motivation then what WAS? any ideas where they're going with him???

okay a few things

yes objectively they're just treating the entire northern plot and i would argue the bulk of the riverlands arc as fan service. i think this is bad writing that came about due to the short seasons - they've talked a bunch about how hotd is more "intimate" it's about this One Family but that's just like,,,,, not true! For one thing, there's THREE different families here lmao (Targaryens, Velaryons, Hightowers) but for another even despite some of the annoying fixation on Only Targaryen Kings that F&B has, every section is about that king's COURT not JUST about the Targaryens in it and the dance specifically is about a LOT of different people. but they just prioritized the king's landing/dragonstone story lines over everything else to the detriment of every other story line so now the north and riverlands, which is INTEGRAL to the ending of the dance, is reduced to like, that unnamed prince of dorne cameo equivalent in got s8 instead of being an entire story arc in and of itself.

i think even more specifically, this season likely WAS supposed to be the same amount of eps (10) as last season but then the strike happened. they could see it was about to happen and figured they had eight scripts mostly finished so they prioritized those and are going to tack the last two eps onto the front end of season 3. this is a wildly different show but grey's anatomy did something similar with seasons one and two - they had scripts for 16 episodes of the first season but the network said they're only getting 13 episodes, so they tacked the last three onto the front of season two, so season two was like 27 episodes. the thing about that is that the "finale" of season one is still REALLY good as ending point (that "meredith i'm so sorry" "you must be the woman that's fucking my husband" is just an amazing goddamn ending to a season) so it really worked as the finale ( i honestly didn't realize it wasn't meant to be the finale until a few years later). vs this is so clearly not the finale they were gearing up to and i would bet real money on the first two eps of next season being FULL of action and ep 2 being very obviously the finale we were meant to get, and probably features the winter wolves.

beyond strike/production interference which i do think is the main issue...........the hater's take is that this is a self fulfilling prophecy wherein the main show refused to prioritize the Stark storylines (completely changing and utterly destroying both Sansa and Bran's arcs, forgetting about Rickon for years on end, turning Arya and Jon into standard Action Heroes instead of a conversation on the harm being forced to be The Action Hero takes on a person's psyche, stealing Catelyn's entire arc and giving it to Robb then cutting them both off at the knees anyway) because they thought the Lannisters and Dany were cooler, getting that sweet sweet merch money because the Lannisers and Dany have name brand recognition, then prioritizing them more in the story because that's what the fans want, then justifying it because its what the fans want, but the reason the fans want it is because they cut the Starks to begin with, etc etc. Vicious cycle here until we get the poor Cregan actor doing his best Kit Harington impression and nothing else. They obviously aren't the only people to get that treatment (see DORNE see GREYJOYS) but it's like...this is one of the main three families in this series, reduced to nothing because they're "boring." They're only boring because these bitches cut every single aspect of their story out of the goddamn show! "north story is boring" sorry but if you think the winter wolves are boring and claim you like asoiaf because it's "real and gritty" i think maybe you don't actually like the "real and gritty" parts of the story at all, i think you just want to see a hot person with a shitty blond wig kill people on a dragon. unfortunately, d&d did only want to see that lmao and that's the world we're stuck in now.

[timeagainreviews]

Dust and Darkness Prevail

Panspermia is the theory that human life was seeded by comets, asteroids, meteoroids, and space dust falling to Earth. Directed panspermia is the idea that an unknown third party purposely seeded life onto this planet through similar means. These are perhaps the most ancient of aliens. For whatever reason, be it propagation, a future food source, or simply contamination from an explorer’s boot, somehow, we were created.  It’s easy to see why mankind looked to the stars for parentage- we are made of star stuff, after all. As our understanding of the stars grew, so did our desire to understand them in relation to ourselves. Staring down the concept of being a mere dust mote floating within sunbeams, some of us began to wonder if the Gods we abandoned weren’t actually a different form of sky daddy. In the words of Giorgio A. Tsoukalos- “Aliens.”

Science fiction has a rich history of depicting ancient Gods as alien lifeforms. Doctor Who is no different. Sometimes these extra-terrestrial visitors are used to explain odd phenomena, and other times, they’ve been used to outright undermine the achievements of ancient civilisations. One of the most popular ancient alien theories is that aliens helped build the pyramids. Some Egyptian-themed polyhedron-obsessed aliens influenced ancient Egyptian culture. You can see it in movies like Stargate, or in television stories like the 1975 Doctor Who serial “Pyramids of Mars.” Recent books like Erich Von Daniken’s scientifically dubious “Chariots of the Gods,” or numerous documentaries narrated by Rod Serling had garnered interest in ancient astronauts. A year after “Pyramids of Mars,” aired, NASA released photos from their Viking 1 orbiter that would only feed these theories. The black and white photos of the Cydonia region appeared to depict a carved facelike structure and gigantic pyramids on the planet’s surface. Needless to say, some people let their imaginations run wild.

While many of the concepts explored in the History Channel’s “Ancient Aliens,” have been labelled pseudo-science or even racist, some of these concepts still crop up in popular media. A more benign example would be Marvel’s own Thor and Loki. Sure, they call them Gods, but they are very clearly from advanced alien civilisations. It feels appropriate then that Doctor Who returning with Disney money might also explore one of its own ancient aliens in Sutekh the Destroyer. Considering the build-up with the Toymaker and the Maestro, it all seems fairly obvious in hindsight. But what does this have to do with Ruby Sunday? In seeking out her own parentage, might she also benefit from looking to the stars?

One aspect to this season of Doctor Who that I feel has actually fallen a bit flat is the question of Ruby Sunday’s parents. Considering that the fandom has been interacting more with the question of the identity of Susan Twist’s character, it’s safe to say I’m not alone in this. It’s just not a very interesting question, and I think it’s partly because we already know the answer. Doctor Who’s official Twitter recently asked fans who they think Ruby’s mother really is, and only a few people actually got the answer right. It’s Carla Sunday, obviously. I find this whole question to be as flawed as the conversation around it. Ruby uses words like “abandoned,” to describe herself. And while I can understand the desire to know your roots, I know my adopted siblings were never abandoned. They were found. They have a family who love them. My mother who was also adopted had a mother in my grandma. My greatest hope with this storyline is that this is what Russell T Davies has been leading up to all along. Ruby’s real mother is the one who changed her diapers and cleaned up scraped knees.

Speaking of family, “The Legend of Ruby Sunday,” begins like a bit of a family reunion. Yasmin Finney is back as “Rose.” As are Gemma Redgrave as “Kate Lethbridge-Stewart,” Bonnie Langford as “Mel,” and Alexander Devrient as “Colonel Christofer Ibrahim.” Also returning is the Vlinx, with a shiny new chassis. Strangely absent is Ruth Madeley as UNIT’s scientific advisor “Shirley Anne Bingham." In her place is Lenny Rush as “Morris Gibbons,” a boy genius with a taste for excitement. We’re also introduced to Harriet, UNIT’s newest lead archivist. More on her later. The light tone of this family reunion is much needed as the majority of this episode is Doctor Who at its most bleak.

Something I have completely failed to mention this season has been the TARDIS’ weird groaning. It’s not as though I hadn’t noticed, there have just been so many things to talk about lately. I had meant to bring it up last week when the Doctor told Rogue the TARDIS doesn’t like bounty hunters. I figured then that it was the Doctor ignoring a bigger problem. Speaking of which, it does strike me as a bit odd that the Doctor hadn’t addressed the issue for such a long time. The TARDIS has been groaning and sliding into landings like a football tackle. I understand that the Doctor has a lot on his mind, but it would have been nice if they could have shown the Doctor showing any kind of concern for the TARDIS. He’s been flying her for thousands of years, he would notice any slight change. This isn’t a huge issue for me, though it does feel a bit out of character. But who am I to complain? Even I forgot to bring it up.

The Doctor does have a lot on his mind, which is what brings him to UNIT HQ. It was nice to see the Doctor lay all of his cards on the table for a change. You don’t often see the Doctor outright asking for help. Luckily, UNIT was already on the case. The woman the Doctor keeps seeing also exists in modern-day London as Susan Triad. I found it a bit odd that the Doctor would know a politician from an aborted timeline like Roger ap Gwilliam, but not a tech industry giant with her name on a skyscraper. Even Colonel Ibrahim recognised it as an anagram of TARDIS, so what gives, Doctor? 

Part of their gathering intelligence on Susan Triad has been using Mel to infiltrate her organisation. When I had heard they were bringing back Mel, I was excited. Mel has never been a fan favourite, and even I took a lot of time to warm up to her in classic Doctor Who. But bringing her back feels like a no-brainer. She’s a tech whiz and Bonnie Langford is a great actress. There is only room to grow with her character, and grow she does. Not only have they given her a bit more backstory with losing her family, but we also get to see her acting as a double agent and puttering about on her scooter. Seeing Mel in this capacity is a delight. I am really enjoying how they have built up UNIT to be more like the ‘70s (or was it the ‘80s?) with recurring characters. Instead of Yates and Benton, we’ll now have Ibrahim and Sullivan. I really hope they continue this trend, though I would appreciate it if they stopped haemorrhaging scientific advisors.

Despite around-the-clock surveillance, the most UNIT has managed to gather on Susan Triad is that she’s a seemingly nice human woman with no underlying alien traits. Her company’s upcoming event will announce that she is making the Triad OS free to the world, which seems like a weird flex. Ubuntu and Fedora are both free operating systems, so this is nothing new. What’s even more perplexing is that UNIT would integrate Triad into their own systems. Call me crazy, but if I were a government organisation spying on a tech giant because their name is an anagram of an alien time machine, I might opt to use Windows or Mac. The whole storyline was giving shades of “The Sontaran Strategem/The Poison Sky,” or even “Kingsman: The Secret Service,” wherein miracle technologies are secretly deadly. We still don’t know the ramifications of the Triad system’s worldwide rollout, but I imagine we’ll find out next week.

Something a friend pointed out to me that feels important happens during the Mrs Flood scene. According to Kate, the Triad press conference was scheduled for fifteen hundred hours, or 3 pm. What’s odd is that when Ruby and Rose show up to Ruby’s home, Cherry’s digital clock reads 15:08. At first, I had misremembered this scene and figured it must take place during the events at UNIT HQ, but the inclusion of Ruby and Rose implies that it’s not. I can think of three possible explanations for this. One explanation is that it was a continuity error. The production crew simply goofed. It happens. Another explanation is that Cherry’s radio is like my coffee machine in that the digital time display is incorrect. That’s possibly the most human answer. But television doesn’t often allow for such realistic discrepancies as they can confuse audiences. Seriously, how often do you see fictional stories where two characters share the name John? One of my closest friends is also named Natalie, but that wouldn’t usually work in fiction. This leaves us with a third explanation which is that it was done on purpose. Either something wibbly wobbly is happening, or they goofed.

As expected, Mrs Flood appears to be someone. With the reveal of Susan Triad being Sutekh, my hopes of the Rani have been dashed against the rocks of reality. Or have they? In explaining regeneration to Ruby, the Doctor describes it as a way to hide away with a new face. When Ruby fetches Mrs Flood to mind Cherry while Carla joins them back at UNIT, Mrs Flood mentions hiding herself away. While Mrs Flood was a bit rude to Ruby and downright hostile toward Cherry, these could be the actions of a bitter Susan Foreman, aka the Doctor’s granddaughter. However, I am reticent to call her Susan for a couple or reasons. For starters, Carole Ann Ford was present at the premiere for the 60th anniversary specials. Sure this could have simply been due to her history with the show, but it could also imply she’s been filming things for the RTD2 era. You could speculate that the only thing she actually filmed was a flashback regeneration scene into Mrs Flood, but that feels like a waste of a much-needed reunion. My money is on the Rani, but mostly because I want her to be and because Carole Ann Ford deserves her moment. If they bring Susan back, there’s only one person I want to see play her.

Ruby and Rose fetch the surveillance tape from the night Ruby was left on that church stoop. I loved that Carla joined them the moment she learned that Donna was involved with UNIT. It’s nice to see that at least one character hasn’t forgotten who Ruby’s real mother is. This also gave rise to one of my favourite Doctor moments of the episode when he says "Yeah but it’s Carla. Come on," in response to the claim that not even the prime minister has access to UNIT HQ. I loved the exchange between the Doctor and Kate about their possession of a time window. They claim they don’t have one, the Doctor knows they do. Classic. It’s the Doctor knowing of the existence of the Black Archive all over again. Even further, I loved the Doctor laughing at the way UNIT has “lashed together,” the time window. I doubt he really feels that way, but the Doctor needs to remind UNIT not to get too comfortable. Undercutting their achievement is a reminder that these items aren’t toys. It’s a subtle way to establish himself as an authority while also reminding UNIT of their limitations. The Doctor’s aim isn’t to belittle UNIT, but to instill a healthy fear of these technologies. As it turns out, the Doctor’s fears were well-founded.

The time window is a large room capable of viewing moments in time. The Doctor refers to time as a memory which is a bigger Whoiverse change than people are giving it credit. I always thought of the TARDIS as a supercomputer that stores moments throughout time in its memory like files. It makes sense that time and memory mingle like this. The effect of the VHS degradation on memory is one of the coolest visual effects in Doctor Who. It’s nice to see that Disney money coming into play. I also have to tip my hat to Lenny Rush for his performance as Morris here. Lots of UNIT characters were given little moments to shine in this episode like Harriet and Colonel Chidozie. The latter of whom we’re given a bit of background information about so that when he meets his demise, we care a little bit more. He’s just a Manchester lad with a cheery disposition. It would be a shame if something were to happen to him.

In an almost cruel twist of fate, the visual of Ruby’s mother is obscured. Not just obscured, but seemingly darkened as if on purpose. The moment she walks close to the Doctor and Ruby, she glitches past them. It’s sad for Ruby, but I feel it’s important that Carla is there to witness this moment. She needs to see that the mystery of Ruby’s life isn’t just one of being an orphan, but that something is deeply and darkly wrong. I feel as though Carla’s involvement in this storyline is due a rather big payoff next week, and I am looking forward to that. The Doctor notices that the TARDIS appears more corporeal than a simple image from a video. He asks the tanatalising question “If time is memory and memory is time, then what is the memory of a time machine?” It’s a question I have been mulling in my head ever since, and I still don’t have a great answer.

Colonel Chidozie disappears around the same time a swarm of dark energy begins to incircle the memory TARDIS (omg I think I just figured it out). The MEMORY TARDIS! Ok. I see what you’re putting down, Russell. Carla refers to the dark energy as “the Beast,” as in, the devil. But who among us didn’t automatically think of the Beast from “The Satan Pit”? Hell, it’s not as though it would break the show if Sutekh and the Beast were one in the same. They’re both voiced by Gabriel Woolf. Furthermore, we know Sutekh takes on multiple forms like the doggo or Susan Triad. There are plenty of examples of gods taking on multiple forms. Christianity has the Holy Trinity of God, the Son, and the Holy Spirit. Hindu gods often have multiple forms such as Vishnu manifesting as Krishna, Rama, or even Buddha. It’s fully within the realm of possibility that the Beast is yet one more aspect to Sutekh. After all, the Fourth Doctor did refer to him as Satan at one point. Why not?

Possibly the most interesting aspect of the scene is when Chidozie’s speaks out from the darkness. It’s not so much the fact that he’s in Hell or that his consciousness feels like it’s been hijacked like Angel Bob’s was, but rather the fact that he only seems to respond to Ruby. The Doctor tries to commune with the entity and gets nothing. Kate commands Chidozie to report and comes up equally empty-handed. It’s not until Ruby attempts to communicate with the entity that it responds. If Christianity has the Trinity and Hinduism has the Trimurti, perhaps Sutekh has the Triad. Perhaps there’s Sutekh, his doggo form, and Ruby Sunday. This might explain why Ruby’s birth mother has been obscured- she never existed. Whoever left Ruby at the church that day could have been a servant of Sutekh, or even Susan Triad herself.

The tone of the episode by this point is very gloomy. I think the last time Doctor Who gave me the creeps to this degree was “The Impossible Astronaut.” As a fan of dark and disturbing movies, I consider myself rather resilient to horror and dread in media. But there is something about turning the TARDIS into a malevolent force that chills me to my core. Bad Wolf Girl once said “You know the sound the TARDIS makes? That wheezing, groaning. That sound brings hope wherever it goes.” But here, the TARDIS offers no comfort. It goes beyond seeing our beloved symbol of hope twisted and perverted. We have seen what the TARDIS is capable of doing. We know how powerful it can be. We can also imagine what that power can do in the wrong hands. My dear late friend Quinn and I used to say that the cloister bell was the scariest sound the TARDIS could make. But this howling groan and sinister energy turning into a hound of Hell is like the cloister bell on steroids.

The Doctor and Mel head off to S Triad Technologies in the vain hope that Susan might be the Doctor’s granddaughter Susan. It’s a last-ditch effort to gain insight into what is happening. Earlier in the episode, we see Kate telling the Doctor that he brings joy, but after Chidozie’s death, you get the impression that her view has sobered up a bit. The Doctor sees the fear in Kates eyes. He sees the fear in Carla’s eyes. He even let down his best friend Ruby. But it’s Mel who picks him back up. Mel who has seen him at his worst and knows who the Doctor is underneath it all. Only she can give him the tough love he needs in this moment and I loved that they gave this opportunity to Bonnie Langford.

The Doctor makes contact with Susan Triad but there is no Time Lord recognition on either end. However, we’ve been here before. Maybe she has a fob watch she doesn’t like to look at. Maybe she’s hiding away. With her press conference due to begin, Susan is whisked away. But as she leaves the Doctor calls out asking if she’s ever dreamed of a girl named Lindy. Has she ever dreamed about a place called Pacifico Del Rio? Has she ever dreamed about being an ambulance? Out of context, he sounds insane. I mean, sure, I dream of being a sail barge, but that’s my special time. It’s enough to set things into motion.

At this point, we still don’t know the true identity of Susan Triad. She very well could still be the Doctor’s granddaughter. But the moment she walked onstage doing that awkward Theresa May arm thing, I knew she had to be evil. Historically speaking, if you want someone to appear evil in Doctor Who, compare them to a Tory. It worked in “The Happiness Patrol,” and it still works now. Could you imagine being the person who milkshakes Sutekh? I feel like throwing a sweet banana dairy concoction into the face of a terrible god would only resort in eternal suffering. While Susan Triad is having her public meltdown for all to see, UNIT’s own Harriet Arbinger is doing one as well. Once again we get another Harbinger. I’ll be honest, the H. Arbinger joke isn’t nearly as strong as RTD seems to think it is. But then again, Batman is the “world’s greatest detective,” and it took him a while to learn that E. Nigma was the Riddler.

I had begun to fully suspect Sutekh by this point, but part of me was starting to wonder if Harriet wasn’t going to turn out to be Sutekh instead. It would have been a very effective misdirect. I was really liking Harriet up to this point too, so I was a bit sad she just turned out to be a servant of the God of Death. Her “I was born for this,” line had me a little hot under the collar. But it looks like she��s gonna get a lot to do in the next episode, so that softens the blow a little bit. As she names off the various gods of the Pantheon, I was very happy to see them reference the Mara as I am a big fan of both “Kinda,” and “Snakedance.” Some have also speculated that the threefold deity of malice, mischief and misery could be a reference to the Gods of Ragnarok. I really hope this is true because I’ve always thought they were cool.

I’ve seen some people complain that they seem to have somewhat retconned Sutekh. People have said it makes no sense to make him the god of gods. He’s an Osiran, not the most powerful god of them all, right? Well, if you think about it, in many ways, death is the ultimate power. If a god like the Toymaker can die, then of course he would run from Sutekh. Also, he’s a god, of course he’s going to claim to be the best. That’s kind of their whole deal. They’re quite full of themselves, gods. Sutekh’s whole deal is that he believes himself the only being worthy of life. Thus all living creatures are an affront to him. Where he treads, he leaves only dust and darkness. Sutekh demonstrates this by reducing Susan Triad’s poor assistant to dust much like he did to Chidozie. With the TARDIS commandeered by evil Anubis and the Doctor being next in line to receive Sutekh’s gift, things have never looked darker for our Time Lord and saviour.

So who was Susan Triad? Was she always Sutekh? Harriet referred to Sutekh as “the mother, father, and other of them all.” I suppose I should start using they/them pronouns for Sutekh. But who were they? Did every incarnation of Sutekh know they were Sutekh? You could wager that they had a hand in a lot of what was happening, and a lot of what was happening could lead to death. The Space Babies were forced into existence and left to die. Roger ap Gwilliam and the Maestro were set on nuclear annihilation. Lindy and her lot were racists which often leads to death. And let's not forget the cold algorithm of the capitalistic war machines from Villengard. What’s even more interesting then is that if these are all aspects of Sutekh and death, then we know Sutekh is stoppable. In “73 Yards,” we’re shown that whatever Ruby’s follower said to Sutekh was enough to send them scurrying. Sadly, Ruby has no memory of this aborted timeline.

With a new episode of “Tales from the TARDIS,” in the pipeline, I expect we’ll see the return of the memory TARDIS in a big way. According to news sources, the new episode will feature the Doctor and Ruby discussing the events of “Pyramids of Mars,” so make sure to watch that if you need a refresher or have never seen the original. One aspect you might find interesting is that Sutekh initially manifests at a priory on the site of the original UNIT HQ. I have no idea if that will come into play, but it’s interesting that both stories are focused around UNIT, if nothing else. Even more interesting is the fact that in both stories, Sutekh is intent on possessing the TARDIS. I wonder if the Doctor will be forced to use the memory TARDIS to stop Sutekh since the regular TARDIS is compromised. We see Ruby’s memory begin to manifest once more when she and Sullivan enter the time window again. It’s entirely plausible.

I’ll be watching the finale like many others in the UK this weekend, at the movie theatre. The last time I got to see a Doctor Who episode in the theatre was in Kansas City when they simulcast “The Day of the Doctor,” at a local indie-theatre. I’ll never forget the feeling of a theatre packed with nerds cheering over Peter Capaldi’s attack eyebrows. I’m also going to see it in the theatre because, evidently, this is a big enough episode to merit a cinematic experience. I bought nine tickets, so it’s going to be a bit of an event for me. I’ll try not and let that colour my experience too much. All in all, I loved this episode, but we’re still waiting for the other shoe to drop. I loved “Fugitive of the Judoon,” but the lacklustre finale left me retroactively disappointed. But for the time being, RTD has my full attention. I can’t remember the last time Doctor Who left me this excited for what’s to come.

[sansacherie]

imo it would have been really cool to introduce nettles in episode 7. like the others we would get a (even) younger version of her character.

depending on whenever they keep the nonplatonic attraction daemon has for her- if they do they're going to have to age up nettles so instead she's in her early twenties in episode 8. still a significant age gap and power imbalance but at least the icky aspect of netty age in f&b is removed.

anyway to introduce nettles obviously means getting a different version of episode 7 written in order to incorporate a scene of her but its not impossible. honestly, what i have in mind is that daemon while meeting with qarl sees a girl be taken away for thieving. the girl is defiant and swears at her accuser, and someone calls her netty.

not the greatest example but the point is how fun it would be for a nonbook reader to watch this scene not knowing just how instrumental nettles will be to later be surprised by her showing up years later to claim sheestealer. this is why i resent her seeming absence in s2. i don't know exactly what they'll do with baela but I hope they expand upon her storyline without taking away from nettles. nettles and baela are NOT interchangeable and don't deserve to be treated that way.

the same for rhaena and nettles and similar to what i said about those two, the problem with the show possibly letting baela take on nettles' role is that there's nothing surprising about her being a dragonrider. like both her parents were dragonriders, her grandmother was one, her uncle was one. her grandparents and great-grandparents. obviously not every targaryen will claim a dragon or indeed want to but looking at this its honestly inevitable that baela became one. you could call it fate but as for nettles it's the opposite imo which makes her becoming the first and last rider of sheepstealer so interesting

[fishedeyelenz]

ANNOUNCEMENT FOR THE BLACK CHRISTMAS FANDOM

Hello everyone who's been following my writing and art and OC's!! Your support has warmed my heart, and got me through some thought times. Thank you very much for sticking by me, commenting, sending me kudos and asks regarding Dilf Billy and my oc-verse I made around him!

However... I have come to realize I have made Billy, at least the older 45-50 year old version of him my own. Very much my own. I think there's a discrepancy between my characterization of him, and how he is portrayed in the movie/novel/commentary. Another thing is that I love him too much. I want to make him my own, not an interpretation of a pre-existing character...

So that's exactly what I am going to do! I'm taking him and making him an OC. Currently I am in the process if changing up his backstory to make him distinct from Billy Lenz, though the Dilf version we see in Rats in the shadows and partially in So give me coffee and tv will stay similar.

My goal is to create a group of ocs consisting of the character formerly known as Billy, Camille, Bean and other side characters who will exist in a story about an ex serial killer father. I'm still early in the rework, but I feel like I don't have change too much.

What this means I will effectively be distancing myself at least partially from the Black Christmas fandom, at least in terms of my content creation though these past few months I have been in a rut given college preoccupying most of my time. I still love Black Christmas, it will remain one of my favorite movies forever. I cherish the friends I made and the experiences I had, but I want to move on to more original creations, uninhibited by primary existing source materials.

I will still interact with fan works in terms of reblogging art and writing , and I will most likely draw more of Billy Lenz and the other characters from the movie in the future. Anything regarding Camille, Bean, "dilf Billy" though, will be something divorced from Black Christmas, entirely its own thing, though obviously inspired by it.

Will I return to writing for Black Christmas? At this point I am uncertain. I have a WIP of a priest!au thing for Dilf Billy, which if I ever get around to finishing I would post under the pretense that it's a Black Christmas fanwork. However, I am not sure if I will finish it, given that I don't really have the time, and at the moment motivation to really work on it. Another story idea exists too, one which would better fit into the Black Christmas ethos with is very dark tone and heavy subject matter (while still remaining a smut work) which I would gladly have exist as a fanwork.... But once again I am lacking the time and want to do it. It would be a very big project, all things considered.

So what now? I will keep all my Billy Lenz/Dilf Billy content up on my blog, my AO3 will stay intact (though I will forward this announcement onto there), and I won't change my tags on Dilf Billy related posts. Moving forward, though, everything created for my oc inspired by Billy Lenz/Dilf Billy Lenz will be tagged as that. I need to come up with a new name for him first...

I will also make a post regarding how the plot of Rits/Sgmcatv would have went if I'd finished them, to give you guys some sort of conclusion. Though the new oc story with Bean, Camille and the new Billy oc in it will very closely follow Rits original storyline. Most of the events of Rits are canon still in regards to Camille's and Bean's backstory, with of course some caveats (no Brahms, Camille and "Billy" meet differently etc.). But the large majority of the plot points and story beats are the same.

I will be happy to answer any further questions, as my inbox is open. I'm sorry to disappoint anyone, but I've felt the need to move on, to elevate this story. I hope I can be forgiven. Now I bid farewell to this part of my life and creative era, and look forward to the new.

[wavytam]

SaNami in Thriller Bark and Whole Cake: How one arc was used to foreshadow the other

In this post I will talk about how Sanji's and Nami's storylines in Thriller Bark were used to foreshadow a lof of elements that played out in Whole Cake Island...

... and might as well foreshadow their dynamic in future arcs.

I decided to write this post after I rewatched Thriller Bark. 

As the episodes went by, having in mind that I had already caught up on Wano in the anime, I noticed some odd… similarities left in Thriller Bark that made me realize how much it foreshadowed future arcs (like Marine Ford and Fishman Island), but especially Whole Cake Island (and Egghead, but this is an analysis for the next post) especially the moments relating to Sanji and Nami.

I also remembered something that was speculation at the time and if anyone has a source for this information, please share, since it's been a while I've read about it and I don't remember where I got it from: apparently, during the time Marine Ford was being animated (and the manga was in Fishman Island) one of Oda's employees lost some type of sketchbook containing concepts and plans about Whole Cake Arc.

If this is true, it means that Oda had a lot of things figured out way ahead of the current storyline of One Piece - which is not exactly a surprise. But after rewatching Thriller Bark, I dare to speculate that Oda already had a lot of things planned for Whole Cake even before Fishman Island and even Marineford, and he actually used Thriller Bark itself to foreshadow it.

Obviously, every arc of One Piece usually leaves hints to future arcs (especially when it comes to Wano and Elbaf - Oda foreshadows both in almost every arc), but I'd like to take a moment to talk about the ones (on top of my head) that Thriller Bark left hints of.

Wano: Zoro's encounter with Ryuma's Zombie and Moria mentions Kaido.

Marineford: By the very end of the Thriller Bark arc, Boa Hancock's name is mentioned, and we also have a scene of Lola warning Luffy about Ace's vivre card.

These are just some of the elements I remember and won't get into much detail, otherwise this post would need two parts lol.

Anyway, with what I said in mind, there's one arc that Thriller Bark strangely foreshadows more than any other and, not only that, but also introduces elements that will later be essential in said arc: which is Whole Cake Island. There are so many moments thrown here and there, especially during Sanji and Nami's moments, that it got me curious to know for how long Oda:

Had planned to write Whole Cake

Had the entirety of Sanji's storyline figured out

Had planned some specific interactions between certain characters

As you can already guess by the title of this analysis, my assumption is that Sanji and Nami's roles and interactions in Whole Cake Island were something that Oda had planned ever since Thriller Bark… and maybe even before.

In this next part, I will show you the reasons why and also why I think that some of their moments in Thriller Bark still weren't mirrored in Whole Cake but might be in Egghead or maybe Elbaf.

Nami and Sanji’s roles in Thriller Bark

First, let's remember what happens to Nami and Sanji separately and how both their storylines intersect throughout Thriller Bark.

Nami starts off by getting lost from the Straw Hats along with Usopp and Chopper (the infamous Weak Trio) inside Thriller Bark. Through their perspective we see how weird and macabre the setting is and how there is something wrong with its inhabitants - specifically Doctor Hogback.

Meanwhile, Luffy, Sanji and the rest of the Straw Hats follow the trio's tracks and have an entirely different perception of the place. Through their perspective, everything that scared Usopp, Nami and Chopper is… kinda pathetic and weak? Lol, I loved how Oda planned this.

Once the Weak Trio arrives at Dr. Hogback's Manor, Nami is assaulted (ugh) by an invisible Absalom (mind you, a guy who has lion parts - a symbol that usually is connected to her throughout One Piece) and he decides to take her as his wife. Meanwhile, as the trio tries to escape, and the rest of the Straw Hats are looking for them, Sanji's and Zoro's shadows are taken by Gecko Moria and put inside Zombies. Something interesting happens: because Sanji is not well known like Zoro, Moria underestimates him and puts his shadow inside the body of a weaker Zombie (keep that in mind for later).

Sanji's zombie finds Usopp, Chopper and Nami, and rebels against his "programming" to protect Nami specifically.

That's when Moria's minions realize that Sanji is much stronger than they anticipated.

Later, Chopper and Usopp escape, but Nami is taken by Absalom. She also meets a Zombie named Lola whom she ends up befriending. Through Usopp, (original) Sanji finds out Nami was harassed by Absalom and was planning to force her into a marriage.

He gets so mad, he lights himself on fire and we have these interesting exchanges.

(Posting two translations of the same panel because both translations are so interesting: one of them Zoro says that he might “transform” into something, but the other says he might “mutate” - and considering the things we know now of Sanji’s past once again shows how Oda gives a lot of thought to Sanji’s characterization.

Anyway, if anyone knows which phrase is the closest to the original japanese and what else it could be talking about, feel free to comment or DM! I have zero knowledge of Japanese and I just know how many hints we might be missing because of it). 

Meanwhile, Nami is (probably) drugged by Absalom and is carried to the altar to get married.

Obviously (and under Luffy's orders) Sanji goes to look for Nami and we know how things go after this. He

crashes Nami's "wedding",

fights Absalom as he protects her body against any minor harm,

and ends up talking about his dream to become invisible and how he studied devil fruits when he was a kid (that moment for me is enough to prove that Oda had already planned Sanji's entire storyline with Germa, his siblings and his metal mask - I will talk about it in more detail later)

All of that effort seemed to go nowhere since Sanji was unable to free Nami. Absalom escapes with her and tries to marry her again, only for her to (finally) wake up and defeat him.

That's when we realise that it was thanks to Sanji, who weakened Absalom in their previous fight, that Nami was able to (in a sense) oneshot Absalom so easily.

So, unbeknown to himself and Nami, Sanji did end up saving Nami - this is an interesting motif in their relationship, and something I plan to talk about more in future posts.

Later, after everything is resolved, Nami befriends the real Lola. Lola not only talks about her mother Linlin (the Big Mom, one of the Four powerful Yonkos) but also gives Nami Linlin's vivre card. Only later in Whole Cake we find out Lola ran away from home and Chiffon mentions how she rejected the advances of a prince (Loki - Elbaf foreshadow) whom Nami takes interest upon for being… well, a prince.

Obviously a bunch of other things happen, but I only talked about the points I wanted to explore in this analysis. I'm sure you noticed there's a lot of them to talk about already.

Also, if you watched/read WCI I'm sure that, as I listed what happened in Thriller Bark, you already noticed how there are some interesting elements in it that later become crucial for While Cake to play out the way it did.

As I mentioned, one of the most important things that I think Oda had been planning to write ever since Thriller Bark (or before) was for Nami specifically to participate in Whole Cake.

This part I will leave for last, since the next topics will serve as a way to explain it.

TB Absalom's Invisibility and Sanji's Dream mirror WCI Stealth Black and the Rejected Germa Prince Storyline

Well, this topic is kinda controversial because of the sexual undertones it has and because of how Oda portrays Sanji's perviness. I won't talk about this part here since it's not the focus of this analysis, but I will link you to an amazing post that explores exactly that part of Sanji's character.

Here I will focus on the other part that Oda left implicit: which is the fact that Sanji had the dream to be invisible ever since he was a kid (when he still didn't have his hyperfixation on women) and how, at the same time, it was the exact power he was "supposed" to have as a Germa soldier and prince.

To me Oda not only used Absalom's powers as a way to leave open the possibility of Sanji having invisibility related powers in the future (which he kinda did in Wano), but also to tie it to his past with Germa. 

Only now do we know that the power Sanji was originally supposed to have was invisibility and the fact that Oda put Absalom with that exact power might show how ahead he was on the story (or how good he is with improvising hehe).

Now, this raises the question: if Sanji's mutation was supposed to be invisibility, where exactly did those fire powers come from? (This is something for a future post ;))

TB Nami and Lola mirrors WCI Nami and Chiffon

Through the bond Oda developed between Lola and Nami, the Straw Hats (and we, readers) gathered a lot of important information that would later be used by Nami herself to survive their adventure through Whole Cake.

First, Lola had a twin sister, Chiffon, who, because of the bond already established between Lola and Nami, ended up taking a liking to Nami in Whole Cake (and vice versa).

Big Mom's Family and Political Marriages

Second, as we get to know Lola in Thriller Bark we see that the idea of finding the man she loves and marrying him is an important concept for her. This is later on explained in Whole Cake, where we realize that Big Mom uses political marriages to gain more power and wanted to force Lola to marry prince Loki. That’s the sole reason for Lola to leave Big Mom and, once again, it seems like something Oda had already planned in Thriller Bark.

Big Mom's Vivre Card

Third, the Vivre Card Lola gave Nami was crucial for Nami, Luffy and the rest of the crew to navigate through Whole Cake and control Big Mom's henchmen. A lot of the problems that they were going through in Whole Cake were resolved because of that simple vivre card given around six arcs earlier, Thriller Bark.

Sanji and Nami Wedding Crashing Each Other's Weddings and Bridal Carries

Well, this is the part the SaNami Fandom has already talked about the most and for obvious reasons. It's not everyday a ship has so many wedding motifs, and the fact that Oda chose to parallel a lot of things that happened during the wedding in Thriller Bark at Whole Cake with Sanji and Nami, obviously adds more fuel to the fire.

This topic, along with Lola, is actually the reason for me to write this analysis, since, in my opinion, there are a lot of details that seem too coincidental to be considered unplanned.

First detail: we have the fact that Nami was the main reason for Luffy to ever decide to invade Big Mom's territory and go after Sanji, whilst in Thriller Bark it was Sanji himself who was determined to stop Nami's wedding at all costs and Luffy… well, he just gave Sanji permission to do his thing lmao.

Second: during both wedding ceremonies, Sanji carried Nami bridal style; something that the groom was supposed to do with the bride.

Third detail: both Nami and Sanji were being forced to get married and it was always the other side that would try to save the forced groom/bride. The best part about this is the fact that neither Sanji nor Nami knew about the amount of difficulties the other went to save one another. Which brings me to the next topic:

Nami's Obliviousness to Sanji's efforts mirrors Sanji's obliviousness to Nami's efforts

Okay, this is more of a fact for the entirety of One Piece, but I think it's more evident in both Thriller Bark and Whole Cake. Again, although this is a topic that I want to talk about in more detail in another post, I do think it's worth mentioning a bit in here.

In Thriller Bark, Nami does not realize how important she is for Sanji and the extent of the things he is willing to do for her safety. Not only that, but Nami is also not aware of the things Sanji already did for her ever since Arlong Park.

In Whole Cake, it's more subtle, but the fact that only Luffy truly saw Sanji's breakdown and how much he was sacrificing himself for his crew, shows that Nami still does not know the true extent of Sanji's care and selflessness. 

And it raises the question: why? Why is it that Oda does not let Nami (until this day) know how much Sanji did to his crew and especially to her? To me, it's because, if Nami knew, she would treat Sanji differently. If she knew that Sanji does have a preference for her, that he defended her in Arlong Park, that he tried everything he could to protect her in Thriller Bark, and that he did a lot of things he wouldn't do for any other woman, maybe her view on him would change.

Consequently some type of tension between the two could eventually build up and what Oda has been trying to avoid for years (which was a romance between the crew) would eventually happen, and the entire dynamic of the crew would shift (but this is speculation ofc, it might be nothing and even if Nami knew, nothing could change).

And let's also consider that, although Sanji looks for Nami's validation when she witnesses him fighting, he never tries to brag or tell her about the times he defended her when she wasn't looking.

Obviously, in Whole Cake, Sanji is thinking about the entire crew when he sacrificed his happiness, not only her, but as I said, it's more about the fact that Nami does not know how much Sanji truly works under wraps to make sure the people he loves are safe - and how selfless he truly is for her when she only sees his perverted side.

Now, the same can be said about Sanji, to some extent. It's clear in the manga that Sanji does have strong feelings for Nami, if it's reciprocated, it's up to debate. But no one can deny that Nami does care about Sanji and sometimes, she cares more than anyone else in her crew.

We all noticed how Nami was the most eager to rescue Sanji, always trying to bring the seriousness of the situation to the rest of the crew and dragging Chopper, Luffy and Brook to the right path whenever they got distracted by something else. 

However, when it came to truly knock some sense into Sanji to accept help, Nami was conveniently taken out of the picture in favor of Luffy. 

Keep in mind that I am in no way complaining, the moments Sanji had with Luffy were beautiful, and he obviously would have the focus: Luffy is the main character and Sanji's captain.

But the fact that Oda kept Nami away in one of Sanji's moments of fragility, when he exposed his true nature and showed how caring he really is, can come off as suspicious. As if Oda does not really want Nami to see those moments… yet.

You can say that Oda also kept Chopper and Brook out of the picture, but even when Nami is with them, Oda kind of separates Nami's behavior from theirs. He emphasizes Nami's reactions and gives her serious expressions while the rest are put in more comical situations.

Also, during the Luffy vs. Sanji fight, one of the most emotional moments of WCI, Nami didn't need to be there if Oda only wanted to emphasize the importance of Luffy to Sanji.

In my opinion, he put Nami there, because Sanji cares about her and her opinion more than any other woman’s, even more than Robin’s. Which makes the following moment even more hurtful, especially because that was the only time Nami didn't use the "kun" honorific - showing how she lost respect for him.

Conclusion: the importance of Sanji and Nami in each other’s stories

By looking at these topics, I think it's very interesting how Oda made sure to use parts of Nami's plot in Thriller Bark to gather information that would help her, Luffy, Brook and Chopper to save Sanji in Whole Cake.

To me, the fact that so many of these things seemed to point out something: the interactions that both Nami and Sanji have is something that Oda thinks about carefully. Not only that, but everytime they are having a major moment/development, most of the times one is there to support the other.

Examples:

In Arlong Park Sanji defended Nami's actions

In Ennies Lobby Nami had a major fight against Khalifa because she knew Sanji wouldn't fight a woman

Until Nami decided to forgive Jimbei, Sanji was there to defend her

Again, the only exception is during Sanji's and Nami’s arcs in Wano -  but in my opinion it's because Oda’s intentional hiding of Sanji’s story from the other Strawhats will pay off in the future and will be a major factor in the One Piece story.

Well, this is it.

Okay, with all of those topics in mind, there are two main events in Thriller Bark that happened in relation to Nami and Sanji that still don't seem to have been mirrored:

Sanji's Zombie fought his own programming to protect Nami in Thriller Bark mirrors (?)

The underestimation of Sanji's True Power, what it truly is and how will it be activated

I plan to write that part for my analysis of SaNami in Egghead. If anyone is interested, stay tuned!

For everyone who stayed until the end, thanks for reading!! See you in the next post.

[pessimisticpigeonsworld]

In this post, I talked a bit about how the removal of magic in GOT destroyed the character of Euron Greyjoy. Now I'm going to talk about how it negatively impacted Daenerys' character.

Magic is fundamental to Dany's storyline, which is why her story is one of the only ones that still has magic in it on the show. However, that magic is drastically reduced, there's now simply hatching the dragons, the calling she feels to do so, and like two visions in the House of the Undying. Meaning, aside from dragon riding, Dany's magic is only in the first two seasons.

I want to talk first about how they reduced her dreams. In AGOT, we have almost a dream per chapter for Dany, each of them pointing to her future as the Mother of Dragons, a dragon rider, and her later story points. In ACOK, her visions in the House of the Undying point to not only her future, but those of other characters (i.e. the Red Wedding, Tyrion, Jon, the Others, etc). ASOS sees the first appearance of Quaithe in Dany's dreams, and in ADWD, Dany dreams in the Dothraki Sea and sees Quaithe a few more times. That's a pretty big difference from the show's portrayal.

The removal of these dreams serve to make Dany seem much more similar to the rest of her family than she really is. It's a way for them to make her seem less remarkable and force their "parallels" with Aerys. In the books, while other Targaryens have dragon dreams, none of them are quite to the same level as Dany, with the exception of maybe Daenys (we don't actually know). She's meant to be set apart, just like the other main five. She, Jon, Bran, Arya, and even Tyrion are meant to have stronger connections to magic than any other main characters.

Jumping back to Quaithe, removing her really shows how little they cared about George's plans for Dany's character. Her connection to the resurgence of magic is touched on in the show, but not to the same extent as it is in the books. Quaithe is constantly telling Dany to go to Assai, one of the magical centers of the world. Obviously there is something important in Asshai that has to do with magic and the dragons. But apparently, D&D decided to fuck around and drop that whole idea, leaving Dany with an easy and pretty boring storyline after Meereen.

Finally, the show removed most of the prophecies. I did cover this partially in the dreams section, but there's more to be said about erasing the prophecies. Mainly the Prince that was Promised/Azor Ahai prophecy. Obviously, in the show, it was decided that the prophecy should be completely thrown aside and Arya should kill the Night King and the War for the Dawn be over in a few hours. This is a gross mishandling of the themes, which makes sense given who the head writers were. Prophecies are a key part of ASOIAF, and the Prince that was Promised/Azor Ahai is definitely the most important. Targaryens throughout history made unwise decisions in the name of the prophecy: Viserys II forced Aegon IV and Naerys to marry, Jaegaerys II forced Aerys and Rhaella to marry, (according to HoTD) Viserys I killed Aemma for a son, and Aegon conquered Westeros. Clearly this is important, writing it out in the name of "subverting expectations" is the dumbest fucking idea ever, right after mad queen Dany.

D&D also wrote out many magical objects that clearly are meant to have importance to the story. The glass candles and the dragon binder are magical objects that will change the course of Dany's life as she knows it. Whether the dragon binder Victarion has will work or not is irrelevant, its very existence could drive Dany off course from Westeros to Asshai. Maester Marwyn is bringing a glass candles to Dany and Quaithe warned her that they are burning again. The magic the glass candles have would have a massive impact on how Dany will proceed. After all, they could allow her to communicate with people in Westeros or Asshai or enhance her dragon dreams. They will also put her in direct conflict with the Citadel, as the Maesters use the glass candles as examples for magic's nonexistence.

Magic is integral to the ASOIAF universe. Removing it makes the story so much more boring and damages or destroys character arcs. Daenerys suffered so much in the adaptation, and one of the greatest blows was the removal of magic in her story. It shows how lazy D&D were, since they couldn't be bothered to figure out the magic system of the world they are adapting. It removes the interesting ideas George came up with, making it into someone's historical fiction smut fic when mixed with the other ideas D&D put in.

[thatgirl4815]

Only Friends Predictions

Purely for my own entertainment, I want to make Only Friends predictions now so that I can refer to them later and see how accurate they turn out to be (which I don’t have too high of hopes for, but I’m gonna go for it anyway). I’m gonna make these attempts based on what we know so far/what some members of the cast have said.

I would be really interested though to see other predictions? Who do you think will end up together? Speculating is the only way I know to pass the time before it airs, lol.

In short:

- Ray and Sand will end up together. 

- Boston and Nick will be split. Boston will still be alone, but Nick will have moved on to someone new. 

- Top will have cut ties with the group after Boston ruins his relationship with Mew. Mew and Ray will continue to be friends, but Mew will remain alone (but content). 

Of course, this could be totally off, but I’m going with it now based purely on ✨vibes✨

Getting into the details...

SandRay

First and Khaotung said that their storyline is emotional compared to the hotness of the other couples’ storylines. I also know that Jojo has a thing for mixing up established pairings. As we’ve seen, the messiness of SandRay’s relationship really revolves around Ray’s feelings for Mew. But if they keep Sand’s characterization from the trailer, he won’t stand for any of Ray’s crap (“I won’t be in anyone’s choices.”). Does this mean Sand will end things and leave Ray to grovel for his affections again? Will Ray confess to Mew, and come crawling back to Sand after being rejected? Will Sand keep standing up for himself, or will Ray make some grand gesture to win him back? Can he be won back?

Even though this series is being marketed as messy, toxic, and chaotic, I’m certain there will be some core thematic aspects at play in each characters’ relationships. For SandRay (and BostonNick, I’d argue), self-worth could be a fundamental aspect. How much do you value the relationship, versus how much do you value yourself? I also wonder to what extent there could be a privilege check for Ray’s character. We know he’s wealthy and a playboy, but will his wealth create a division between him and Sand? Will Ray change himself? Obviously I’m posing a lot of questions, but until we get more info, I’m going to predict that Ray and Sand will end up together in the end, mostly because I think Ray navigating his feelings for both Sand and Mew--and coming to terms with what these feelings say about himself--would find its natural conclusion in Sand. Given what FirstKhao have said about how emotional their storyline is, I think it’s clear the feelings run deep for both of them. Also, I’m getting the sense from the trailer that Ray’s crush on Mew is unrequited.

Finally, FirstKhao have made a comment about their characters ending up together. They did say this before filming I believe, so might take it with a grain of salt. 

BostonNick

My biggest dilemma at this point is figuring out how the SandRay plot will differ from the BostonNick one, because both Nick and Sand and Boston and Ray are in a similar position. Nick, to me, seems more likely to beg for Boston’s affection while Sand seems more ready to let all hell break loose and cut ties. In other words, Sand’s reaction in the trailer might indicate that he values himself too much to stand for Ray’s indecision from the get go. For Nick, this could be more of a slow-building awareness. By that I mean, I could see Nick coming to understand that Boston doesn’t deserve his affection if he’s going to disregard his feelings and treat him as a fwb when Nick keeps pushing for something more. I could see Nick making a stand, essentially telling Boston “him or me?” and Boston choosing Top...only for Top to cut ties with Boston after messing up his relationship with Mew. In short, I foresee Boston getting the worst outcome of everyone. But maybe this is just because he seems to be responsible for most of the chaos in the trailer.

TopMew

Top and Mew as an established couple in the trailer seems like the most likely endgame--and that’s exactly why I think they won’t end up together. I have a hard time believing Mew will just let Top off once he knows about his relationship with Boston. (I’m operating under the assumption here that Boston and Top resume their affair while Top and Mew are together...at least for a little while.) I could see Top keeping up his fwb relationship with Boston for a short time into his relationship with Mew, but as he gets more serious about Mew, he tries to cut things off with Boston. And that’s when the whole situation gets out of hand and Boston essentially confesses to Mew about their secret relationship. 

Mew is also presented as content with his solitude; he only pursues a relationship with Top when Boston pairs them up. If anything, this entire situation could serve as a lesson for him. And if I’m right in predicting (hoping) that Ray will undergo a big moral shift from beginning to end, then I could see their friendship being a core part of the series. (I think it would also be good representation to keep them together as healthy friends despite Ray’s previous crush.) 

...As for how Sea could factor into any of this (if he really is going to play some part in the series), I’ve seen speculation that he could be a possible love interest for Sand. I think it would depend on how big of a role he’s given. I’m sure it’ll be a cameo either way, but how much of one is questionable. He could be involved in an episode or two to stir up some drama and equal things out between Sand and Ray; I think that’s a strong possibility (and the drama would be oh so juicy). Or maybe he ends up with Nick, if Nick moves on from Boston? So many possibilities.

- X - 

OK, so that’s my thought process at this current moment, but tomorrow I could have a wildly different one. If anyone is thinking completely differently, I’d be curious to hear your thoughts. In the meantime, I’m gonna go stew over this some more until we finally get a trailer (Jojo, I’m begging). 

[rappaccini]

arcane s2 1-3 thoughts

spoilers, obviously

alright. before we get started, it was a given for me that literally nothing s2 did would ever live up to the hype.

arcane was a total surprise when it first debuted with zero expectations and set an extremely high bar for itself. it amassed a ferociously loyal fanbase that had sky-high expectations for it and spent three years combing over every tiny detail, sometimes noticing actual elements of the story, sometimes hallucinating meaning where there wasn't any. not to mention the cottage industry of youtube influencers who made small businesses out of declaring their borderline headcanons and personal hopes for a show they loved were Objective Storytelling Rules to line their pockets and fluff their egos.

(staring at btsv coming out god knows when, which will probably have a similar reception. when the most annoying people on the internet declare a very good piece of media to be Objectively Perfect and obsess over it for years, and its next installment 1) has flaws because it was never perfect and can never be perfect, and 2) blows up a lot of headcanons, people are gonna get mad. even if the writing itself is otherwise very tight. not that i'm expecting btsv will be good of course, because i don't.)

so literally no matter what, this would have disappointed people to some degree.

... especially since a lot of people forgot what the emotional consequences of certain decisions in the story would have to be.

like caitlyn becoming sheriff and wanting to invade zaun? yeah. obviously. that's what would happen. her mother was murdered, she was born and raised in piltover and never let go of that elitism even though she's dating a zaunite, she's a cop, and her gf's sister killed her mom. what did you think would happen.

vi's cop arc makes sense. i buy it. no other notes, just, i'm satisfied.

love seeing ambessa and ekko step up as main characters this season.

the reveal of ambessa arranging the chembaron attack at the memorial was great and earned. love that we're nodding to how third parties will take advantage of internal strife to line their pockets and prep for hostile takeovers.

and ambessa is such a refreshing antagonist. a buff, physically domineering black woman who's a warlord, who's treated with dignity and complexity by the narrative, which is smart enough to understand that what she's doing is bad, without stereotyping her at all. this kind of character just does not get to exist and i'm thrilled that she does and that she's handled so well.

ekko's search for a positive solution is a good balance to the civil war storyline (and to ambessa's coup). didn't expect him to hang out with jayce and it was an interesting pairing. but that storyline felt very disconnected from the rest of the conflict. like... could we have SEEN ekko learn silco's dead instead of skipping to after he's already learned it. the guy he spent his entire life trying to kill is dead, how does that make him feel?? can we linger on that???

also... do people know jinx did it? that's still unclear to me. that furry little fucker's reaction to her confession suggests that they don't. but man do we need that to be more clearly stated.

love seeing female characters be the messy violent ones while the men are the rational problem-solvers seeking a peaceful solution in the first act. it's a great reversal that doesn't feel like it's saying anything crappy about either gender or trying to girlboss too close to the sun, and feels like a natural ripple effect of the different gender roles in this world. like, yes, in a world where women get to rule and fight alongside men with no discrimination in place, and where men get to be sensitive, this is what you'd get.

however. there does feel like there's a gender imbalance in the story now. silco and vander really balanced s1 out and their absence is very much felt, and no male characters rise up to fill those roles in the first third. all the guys are silo'd off in a corner inside the pocket dimension and it's funny, but also like. hm.

i still hate that imagine dragons intro. i think it looks so dumb with everyone posing on white couches like they're in a vogue shoot. what is that. why.

arcane's 'stop everything for a music video' style of storytelling... while i accept it's a part of league of legends and this show at this point, just isn't for me. the grayscale animation of cait's mom's funeral scene was great and really communicated the emotional reality of the scene. the slapdash sparknotes version of the zaunite chembaron civil war felt rushed as hell, and gave me the vibe that they used it to cut corners with the animation. the enforcer exploitation of the grey was visually great, but very much felt like the montage was being used to skip past that story beat.

... ngl the linkin park song made me roll my eyes. hearing a recognizably real-world current artist singing a song over a story set a fantasy world just never clicks with me. the same with last season.

jumping into s2 with the aftermath of the explosion was the right move.

nice to see a few members of the council be given lines and personalities this season.

piltover's preparation for war works. i know people wanted an immediate drop into chaos but invasions take time, and the leadership had to reconvene. it's clear this took a minute to put together. the escalation from 'total invasion' to 'just get jinx' back to 'fuck it let's get in bed with noxus' felt organic to me at least right now.

mel... i feel like she needed a stronger reaction to a bomb exploding on her back, but i think her voice in the council decisions is in character. we'll see. especially as ambessa ramps up.

if she was fridged by whatever that black rose shit was to make jayce sad, fuuuck off.

viktor's transformation was visually stunning and exciting to watch. i'm excited to see where he goes.

jinx being a bit more subdued follows. she's suicidal, she doesn't expect to survive much longer, and is just going through the motions. feels appropriate given what she's just come out of.

love her alliance with sevika, and their clearout of the grey from the lanes tying into the janna legend. the pieces for jinx to become a symbol are being laid and they're shaping up Very well. still wish it were a slight bit clearer if people know she killed silco.

in general sevika's desire for organized leadership, parlaying into her alliance with jinx, does feel right. she's a kingmaker and jinx is accidentally becoming joan of arc.

... not even gonna bullshit i think i might end up shipping them.

the jinx-sevika vs caitlyn-ambessa 'older buff warrior woman championing a young ranged-weapon-using woman as the figurehead of her movement' parallel is Great.

... ah. the Child Redeems Problematic Woman trope. i hate it, and it's especially out of place here, in a world with fundamentally different gender roles. as long as there's wiggle room to insist that jinx sees isha as a little sister instead of a daughter, maybe i'll come around to it, since it gives her a chance to understand vi's position as a big sister. or isha represents powder, and jinx's companionship with her is symbolic of her falling back into harmony with her younger self. but. hm.

regardless at least it took three episodes for jinx to come around to her. no love at first sight bullshit. i still have ptsd from umbrella academy season 2.

to be clear i am still rooting for that child to die.

the zaun power vacuum also makes sense, and the visuals of the three competing gangs are great (someone on ao3's gonna write something crazy about that furry little rat man i just know it). however it feels like zaun is... emptier than before. idk if it's the animation or the greater focus on the piltover characters, but the impact of silco's death doesn't feel like it landed on the zaunites emotionally.

love that the tree growing underground has been expanded from a neat visual/symbol to a plot point.

idk what to do with black rose yet and i know nothing of the lore so i'm reserving judgment. unfortunate that mel was sucked into the upside down though.

... and odd that ambessa doesn't acknowledge it. does she know yet.

caitlyn has by far the best arc in act i. her evolution into the general makes sense and i can't wait to see her and ambessa interact more. (is mel dead? is ambessa about to adopt cait? here for it either way)

she and vi are about to have so much lesbian drama i'm staying the fuck out of their tags.

i do feel like jayce is very underused in the first act. part of me kiiiinda wishes he'd died in the blast too, because it would've made mel lose it. hope he gets more to do soon, we'll see.

... not sure what to do with the annihilation mold and the trippy reactor core and the Mysteries of the Arcane. just gonna wait and see there too.

the jinx-vi fight we've been building towards was great. love it taking place in a temple and culminating in a fight on an altar. love caitlyn and sevika's presence. annoyed that the Sweet Child intercedes, but sure, fine, it's like vi looking at powder and not being able to stomach killing who her sister is because of who she was.

i do not know how i feel about vander being alive. gonna reserve judgment again, but my instinct is that his death in s1 should've been it. we will see.

anyway my take is act i is... very good. it's not as good as s1's act 1, but that had to set up the world and characters, and served as the prequel to the rest of the story. this is a different animal that has to advance the story instead of resetting it, and pick up all those loose threads and keep weaving. in that regard, the quicker pacing works, and the bigger scope from the jump makes sense, even if i wish there was more time for characters to sit and absorb the world like in s1. particularly in zaun.

interested to see how it shapes out. regardless i think that these weekly act drops work far better than one giant binge in terms of building an audience, and i'm glad it's continuing. but oh man are the most annoying people on the internet gonna go crazy over it.

[melloianv2]

Have a Good Night Sleep, Dogday AU

Alternative:

Finally, after an month and an half of month, am finally finished.

Before I start i wanted to take back both things I said in my WIP.

When I said its cartoon world, i actually meant was its mostly take place in the cartoon world. it really an Imagination world, as you'll see what I meant during this post.

What i actually meant about its not a shipping au, its not a shipping au between Dogday and CatNap specifically. well there is no couple pairing of the critters existing, just crushes. but its never important at all (besides it only 2 critters.)

Now there is some things that are related to the bigger bodies however it has nothing to do with bigger bodies dogday nor catnap at all. it just about the cartoon world. So not even worshiping prototype exists here.

and I apologize for any grammar mistake I miss.

Anyway on to the post!

About:

About Have a Good Night Sleep, Dogday or HGNSD AU

In a nutshell, it basically two children created entire storyline about Dogday trying to find a way for CatNap to turn back to normal. At least what Dogday thinks because if there was a way to strengthen Catnap (dark essence bottle), then there has to be a way to get him back to normal.

The previous storyline before the brother came was just smiling critters just doing normal activities.

Originally the au was post to be slightly similar to 2016 stuff, but I think it not really "2016" like anymore. This series is post be animated on youtube only, but i have no idea if i should since i need motivation and still have to practice my animation skills.

Just note, some characters personalities are the same, but just altered a bit or a lot. Then the other altered completely

Anyway lets start with the characters that no one will cares about first!

Welcome to the Yearwoods Family.

Family Photo Link

It was- I mean is a happy family! The family are Christians. The family consists 2 children and a sphynx cat

All names of the family are: Mr. Yearwood, Mrs. Yearwood, Amber Yearwood and Kevin Yearwood. (the parents are nameless)

the cat name is pinky. (its a girl)

Out of the 4, Amber and Kevin are the important ones.

Amber and Kevin

Whenever Amber goes to school, she's bullied. She hates it as it ruins her self esteem. But she claims that she's fine and she don't need any help.

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Amber and Kevin gets along. Though, Kevin likes teasing and playfully making fun of his sister a lot. Amber usually ignores him or just pretty much says its not funny. Overall, they love each other as siblings.

Every day they play with the smiling critters toys before their mom tells them to go to bed. Amber sleeps with catnap toy or sometimes craftycorn.

Amber and Kevin playstyle is different. Though at the end, they're both obviously equally immature.

Amber's Playstyle:

Amber plays a CatNap, not shocking.... She sometimes play as the other critters (most likely CraftyCorn), but she mainly plays CatNap. And i mean main, she doesn't even let her brother play CatNap for once.

Amber is good with crafting an story, but very very bad at power scaling.

usually when she plays the other critters, they act bit more mature. However when she plays a CatNap, she either being serious or being a joke. there is no in-between.

One of the running gags of the Au is CatNap's powers. He keeps gaining new ability every time. Amber is doing that deliberately so she can win, and counter her brother every time. However when her brother starts winning, she gets annoyed and slightly mad when she starting to lose. But its the entire fact she wants CatNap to win entirely. by going as far as weakening the other critters.

She also pull the "nuh uh" or miss despite the attack was obviously undodgeable.

Kevin's Playstyle:

Whatever Kevin plays the critters, its more jokes and being unserious. sometimes he be serious but then its ruined with an joke. He mainly plays Dogday but he do play other critters. He gave Dogday powers because he thinks its more fair to have everyone with powers. Despite Kevin joking a lot, his powers are usually kind of balanced (expect for the fact Dogday is kind of op not as op as Catnap.) Dogday gains powers too but only if he learns something. The brother often wins.

Kevin likes overdramatizing fights, dark scenes and using powers, mostly because he watch too much action tv shows.

Now that's done, let get to the real AU.

Welcome to Sunnyville!

(i literally had to compressed the file omfg, this stupid image lags so hard everytime i open it..)

Here's a better close up version

Sunnyville is the brightest and cheerful town around! This is the main location where the Smiling Critters resides in. The positivity and good vibes came from Smiling Critters themselves.

There's more than one groups as the known ones are Smiling critters, Nega Bratzz, The Quacking Sisters, and The Ordinarys

The town is mostly nice however there are bullies (Nega Bratzz and The Quaking Sisters), but it doesn't quite override the sheer amount of positivity. Smiling Critters has a reputation in this town, often for their upbeat attitude. Outside of the critters group, Dogday is well liked by adults, awhile children thinks KickinChicken is cool. Not all though fine with their upbeat attitude, especially Nega Bratzz.

The houses are altered but Every single Night, Catnap's house changes.

Well not the exterior, But just the interior does.

The interior becomes an nearly endless mansion with whole bunch of halllways and rooms. turning back around doesn't get no better. Once enter his house, the doors are shut tight enough for no one to escape.

The inside of Catnap's house is described as an dream world or illusion world. Once entered here and manage to end up falling asleep or become unconscious, it would be treated as if the critters was dreaming the entire time. That's because when the sunrises, the interior turns back to normal. Any injury is also gone.

example:

The "illusion house" is quite dangerous, due to it being unpredictable unknown danger. Some rooms are safe, awhile others are not. Some could be neutral awhile other could be a trap. The critters will never know.

Aside from catnap's house, DogDay's house been redesigned in this au too.

Smiling Critters Section

Enough explaining everything else but the critters!

The story mostly revolves around Dogday and CatNap. KickinChicken is an major character. The other critters are very important too, but not as much.

Once wholesome positive team, is now a distressed team. Smiling Critters has to work together to solve this mystery of Catnap and the happenings that are caused by him. Awhile they try to solve Catnap awhile balancing their routines.

At day, Smiling critters just do their normal routine, get ready, eat, play, eat... But as soon as its Night, that's the where the real kicker is. Majority of the events that happens in this AU, takes place at night. At the moment, no one but outside of Smiling Critters area knows what's going on with Catnap.

They try to gather clues and research CatNap to get understanding on what their facing.

The Critters acts like their description.......somewhat. its altered a bit.

About the Other form i mentioned on the about, what was the so called form am I talking about? Well its called Enhanced Form. Enhanced forms are magical forms that gives a smiling critter powers. In order for an Smiling Critter to be enhanced, Dogday must enhance them, as he the only one who is able to do it.

Enhanced forms are strong, at least strong enough to fight the CatNap.

In order for an Critter to transform into Enhanced form, Dogday must use his powers to enchant the pendant (on the necklace). Then, the critter can either grabs the pendant tightly or smack it, causing them to transform into enhanced form.

Dogday can change at will, but he does not have enhanced form, but rather just a stronger form. Though, Dogday don't even need to transform, he can still use half of his abilities without it.

When a critter transforms, their pendant changes too.

An Critter can de-transform by either de-transforming willingly or when they become unconscious.

I will now talk about the Smiling critters separately.

Dogday the Guardian of the Sun:

Makes sense to start with the titular character of this AU.

Dogday is the main character of HGNSD.

Other things that I didn't add due to space:

Dogday is an early bird, he tends to wake up everyone to get the day started. Excluding CatNap, He's the last critter to go to sleep.

full content (but also not) of how Dogday gained his powers: Dogday was slammed multiple times by Catnap (due to the fact he rebelled, fight back and took the risk of letting himself be the one getting the punches instead of his friends), before tossing him to a deep pit. The pit had spikes at the very bottom. Despite Dogday was clearly about to die, he still had some hope and determination left...causing gain powers and fly upwards in result.

Dogday is more powerful than any other critters. He can even sometimes surpass Catnap's powers. Dogday's powers deals with the sun aka light. Dogday's powers are 2x stronger at day but at night, its normal strength of the power.

The AU name is post to be ironic (really just an bullying title since dogday cannot even go to sleep properly because of CatNap) but at the same time, its foreshadowing something.

Dogday is traumatized, but he doesn't show it.

He was horrified at the state of Catnap tall self. But after dealing with him for so long, he's desensitized to it. doesn't means that's a good thing though.

Dogday gets insulted a lot, he gets upset a little but it doesn't really effect him completely. The only thing that effects him is the fact his best friend is even like this at all.

Other Critters

Now the main character is out of the way, let's talk about the other critters (expect for Catnap). They will be ordered from most important to the least important.

KickinChicken the Guardian of the Stars:

(i added the bottom beak on purpose)

Let's start with kickin'

Other things that I didn't add due to space:

KickinChicken is most likely the one who defends his friends from bullying.

KickinChicken powers deal with stars and light. He is almost as strong as DogDay.

He often sacrifice himself in order for his friends to escape to find safety. If Dogday is almost there to being killed, he jumps in to prevent it. Because of his sacrifices....he almost had access to change into form at will permanently.

He was able to change into his enhanced form twice without Dogday's assistance. But it happened in two different circumstances. not to mention sudden change, but it was in a necessary moment.

KickinChicken and Dogday works together sometimes.

No matter how much an critter insults KickinChicken, it doesn't bother him. In fact, he will twist the insult into a positive one.

He considers Hoppy Hopscotch his best friend. They both have an friendly rivalry when comes to any game. They get a bit too competitive....almost destructive sometimes. They always doing the "am better than you" attitude. If one of them lost, they take the lost but still cocky.

KickinChicken usually compliments himself and looks at the mirror in his bathroom.

Kickinchicken secretly can sing. He didn't tell anyone because he wanted it to be personal for him only. Until catnap exists and ruins everything. There's concept designs of kickinchicken in his singer outfit design, but i hadn't finalized it.

CRAFTYCORN the Guardian of Colors:

Other things that I didn't add due to space:

More info about her own magic: she has an specific book to learn her own abilities. She tries to learn her own magic, but it pretty much hard for her too. She struggles to use her magic, when it successful, its usually something small. In her enhanced form, she able to use her magic like she trained for years.

Sometimes Craftycorn's magic is successful either under concentration or distress. And sometimes it fails. She also the only critter who can create her own form without Dogday's help. Though it isn't an enhanced form, but rather a different form.

Craftycorn one day wants her art be display in a muesum

In her enhanced form, she has the powers of creation, unicorn magic and color. Making her quite strong. She only has on specific healing ability called Revival. she can only use this on one critter awhile focusing, and if she gets distracted, the progress will fail.

Craftycorn sometimes ends up finding out some stuff before anyone else.

Craftycorn one time was able to beat Catnap without help.

Craftycorn has a crush on Dogday, she didn't at first though. She was saved by Dogday, causing her to gain a crush on him since then (omg its almost like proto-). She been drawing a lot of pictures of him closed doors.

Sometimes she plays chess with Bubba Bubbaphant. She loses mostly.

Bubba Bubbaphant the Guardian of Intelligence:

Other things that I didn't add due to space:

Bubba Bubbaphant has the power of vision, intelligence and detection. He is able to rewind to able to see an vision from the past. Since he most likely using his powers for investigating, making clues and ideas for any sign for an cure.

When bubba bubbaphant is targeted, he sometimes gets it the worst than Dogday, simply because "he's smart". For example, everyone else will get tied up in one way, but bubba bubbaphant will have 15 different ways of being tied and caged to make sure he doesn't try to strategize to escape at all.

Bubbe Bubbaphant pacifism caused injuries. He never try to switch sides, he's still standing his ways.

When Dogday first gain his powers, He went to Bubba Bubbphant to figure things out. Though Bubba Bubbaphant obviously could not answer how to deal with his powers. So instead he tries to study both Dogday's and Catnap's powers.

Bubba Bubbphant had try to to keep up with Catnap's powers, but he clearly wants to give up at this point because its way too much. Its stressing him out

Hoppy Hopscotch the Guardian of Energy:

Other things that I didn't add due to space:

Hoppy Hopscotch powers are lighting, super speed, super jump and energy. She can charge herself by simply running.

Hoppy and KickinChicken are friendly rivals mostly competitive in games. Though Hoppy is usually the one ends up making it more destructive then it originally is. She usually try to win, by doing things faster. She also view kickinchicken as her best friend.

Extension of the trained fighter: When using her fighting skills, she usual attacks fast. Awhile Hoppy was teaching Dogday, she accidentally gives him bruises in the beginning...

She can be just as cocky as kickinchicken sometimes without using the better than you phrase.

When she is being insulted, she usually insult back.

Even when its fighting with Catnap, she still wants an challenge.

Here an example of one of her sports form

Bobby Bearhug the Guardian of Love:

Other things that I didn't add due to space:

Bobby Bearhug have the powers of healing, enchantment and love. She is able to heal multiple critters at once or strengthen them. Her attacking ability is life drain. She discover this by accident.

Due to Bobby Bearhug's pacifism, she gets injured too but not as bad as Bubba Bubbaphant.

She's has been bullied a lot, despite it all she still wants to show love. She don't really judge anyone, despite people judge her.

She does care about Dogday's situation, at the same time she just feel sympathy for Catnap.

Bobby Bearhug can cook, she mostly bakes though. Her food is delicious.

PickyPiggy the Guardian of Food:

Other things that I didn't add due to space:

PickPiggy have the power of food and mixing. That's it. She's considered the weakest critter out of all the powers. At least she can create certain foods that isn't possible.

She is not a cooker at all, despite having cooking related powers. Instead, she just be the first one at the table when the food ready. Getting large portions of foods....no wonder there's no leftovers in the fridge. (no she doesn't eat the ENTIRE cooked meal, she does let her friends get a plate too.)

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CATNAP SECTION

Now....Catnap.. well now you saw how everyone views catnap or at least treat him. Its only right to finally show him now, yes?

He needs his own separate section.

Catnap is the main antagonist of the story.

Catnap....:

Other things that I didn't add due to space?:

Truly everyone is guessing what happened to Catnap, cause no one has no clue.

Catnap powers are either the most strongest or the most weakest... I cannot pick, blame the kids. Catnap has so many powers, even god give up. His powers are the negative versions of dark, psychic, moon, and dreams. He also can send more smokes in his nightmare form, which is from his spores that's on his back. The advantage he has over everyone, his powers at night are 10x stronger....so he can take down all the critters. However the massive downgrade, at daytime, all of his powers goes bye bye, he cannot even turn forms either. He stuck back to just Catnap. Only power he can use is transporting from dark areas. So when the sunrises, he slowly turns back to normal size.

Lunar/Third Quarter Form is usually what he changes into the most, its a mix between the regular form and Nightmare's powers but not having all of its powers. This form is somewhat comic relief. This is where most the jokes be, in this form.

Nightmare form is the most strongest, as he usually do not talk in form. He either wants to put fear or he was extremely angry to change into this form.

Out of all the critters, he believes bobby bearhug is the most insane, ironic.

Catnap at first hated the boot like socks in Lunar form, but ends up being fine with it because it was comfortable.

Unlike the canon og Catnap, catnap committing evil is a complete mystery...or the fact the kids never planned one. who knows.

He has the able to put critters inside a cocoon-like substance, to make them live inside their own nightmare. The victim actually has to find the way to break out of it..somehow

He got the name Boogeyman due to teleporting underneath hoppy's bed and kidnapping her.

Catnap likes pretending to be an magician.

Past Catnap usually likes being around areas that was calm and peaceful. any interruption would startle him.

Past Catnap used go to Bobby to talk about private stuff. Not things that between Dogday and Him though.

He's the only critter in the smiling critters group to not have an enhanced form

Catnap can change his eyes at will. but nightmare form he cannot.

He owns the Lair, which the lair only appears at night. its no where to be seen at day. He got an lair later in the story because he wanted to craft his plans far away from the smiling critters sometimes.

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Now for last one its relationship between Dogday and Catnap (also my last picture i can even post i reach my limit :()

Other things that I didn't add due to space:

Catnap equally insults Dogday, calling Dogday "DogStupid" because he believes that Dogday is actually stupid. Catnap actually insulted Dogday first.

Rarely, Catnap doesn't attack Dogday on certain days, as he sometimes target someone else.

Every since Dogday gained powers, Catnap been obsessed with trying to gain his powers. Mostly because he wants to torture him so that Dogday wouldn't be able to defend himself or enhance anyone no more.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

End !! now for the extras and Concepts! sorry no images.

---

Concepts/Removed:

Originally there was going be humans in the cartoon world. Because how care bears and the old MLP had humans. There was 2 humans that was along with the Smiling Critters, Oliver and Maxwell. Oilver would have blond hair pigtails and pink overalls and Maxwell had brown hair. Oliver was the confident feminine girl awhile Maxwell was a curious boy. She and Maxwell would've helped the smiling critters. Oliver would've try to fight Catnap but Catnap wouldn't even attack her, but rather put her somewhere safe.

In continuation of the humans concept, there was going be a castle way up in the sky, as the only way to access it is through a magic beanstalk. The castle had a princess named princess balloobow. She is a human with powers. She would've attempted to cure Catnap's evil but it would failed. She also would've been the one who taught Dogday on how to use his powers properly.

lastly of the human concept, in some epsiodes, The smiling critters would've travel all over the world to find the cure. having an adventure and meeting new people or critters. Catnap still would've been a villain during those adventures. They would've have got clues about the cure, the origins of Dogday's abilities, an hint about what happen to Catnap and the mystery of the current Catnap. However during those travels, Catnap would've slowly become stronger...due to collecting stuff. Dogday would've also become stronger, from looking at the ancient stuff. Sometimes in their travel, they would help people or other critters.

Catnap would've an fourth form called Disenchant form, being the opposite of enhanced form.

The original name of this au was called Nighttime with Catnap. it was also called Smiling Critters and Shenanigans.

Dogday and Current Catnap was originally considered frenemies.

~~~~~~~

Origin of this AU

This start off as an one-off joke where Dogday staying up all night playing videogames with Kickinchicken. Dogday was trying to keep himself awake until he fall asleep. As soon he woke up he was chained up on his own bed, just to find Catnap smiling at him. Catnap says he's about to punish him because he surpass his healthy sleeping schedule and decides to punish him by forcing him to watch Megamind 2. Dogday beg for mercy but Catnap turns it on, causing Dogday try to struggle to escape and scream.

----

Extras

Pickypig is the only character to even question why don't they just attack Catnap at daytime because he's basically weak. (the reason is because the smiling critters do not want to cause commotion and attract large attention from the people in the town)

Possessed Dogday exists in this au, but ill talk about it on another post. Just so you know, He did not get his body controlled in the same way the bigger bodies Dogday was.

Amber first ever toy was the poppy playtime doll. every single smiling critters came out, she abandoned her, but she still in her room.

-----------------------------

End of the actual post ! ! this took too long, and i might forget to add certain details as usual. anyway i hope you enjoy the post, see ya

[doctornolonger]

Did you know the BBC wanted a young Doctor spin-off, but the Doctor Who production office shut it down, so all the ideas for it became the CBBC show Leonardo?

or,

You want a Deca spinoff? We’ve had one all along!!

It’s well-known that CBBC had planned a young Doctor spin-off before they commissioned The Sarah Jane Adventures. As RTD put it in The Inside Story (2006), “Children’s BBC approached us. They wanted to do a drama based around the idea of a young Doctor Who, but I said no to that. Somehow the idea of a fourteen-year-old Doctor, on Gallifrey inventing sonic screwdrivers, takes away from the mystery and intrigue of who he is and where he came from. So instead I suggested doing a series with Sarah Jane Smith, because she'd been so popular in School Reunion.”

But is it possible that CBBC didn’t throw out the idea, and “a fourteen-year-old Doctor on Gallifrey inventing sonic screwdrivers” became “a fourteen-year-old Leondardo da Vinci in 15th century Florence inventing new futuristic technologies”? Many thanks to my friend Poseidome for pointing me to this connection, which came from the same rumorhound who told me about the Dalek rights situation and abortive BritBox reshoot plans:

Leonardo is what the young Doctor spin off was going to be. “Fantastico!” as his catchphrase. The series would follow the Doctor, Master, Rani, and friends uncovering a conspiracy within the Academy and Time Lord society. The Doctor and the eventual renegades at the heart of it all. The Doctor’s ideas being stolen, his future has been foreseen, Time Lords trying to stop it, etc. All that kind of stuff. There’s even a Borusa stand-in played by Alistair McGowan!

(More under the cut…)

The cast I believe would have been the same, along with the budget, filming locations and costumes. Just adapted to be more sci-fi. CGI shots of Gallifrey, actual futuristic technology, classic monster cameos, that kind of thing.

Most if not all the ideas for the young Doctor series are in the Leonardo trailer still, as they kept 99% of the concept. The independent company tasked with adapting it had already done all the development before the idea got canned. Storylines, scripts, characters, costume ideas, locations, sets. If you watch the first series, the story arc and scripts should still be clear what they originally were, so it sort of still is, in a weird way, a bit of Doctor Who media.

I think it would have been really popular. I believe it would have broadcast in a gap year, or between split seasons. Similar to what they later did with Class, but instead of late teens, it was for the Sarah Jane Adventures demographic.

I’ve not seen the second series, but my understanding is its a lot more it’s own thing, as by then they’d had time to redevelop it outside of being a reworked young Doctor show. Hence why series 1 is the way it is, and series 2 tonally different.

I’ve done some digging to try to verify this rumour, including reaching out to one of the series 1 writers, but I haven’t found anything definitive yet. I rather doubt that development had gone as far as costumes, sets, etc., given how early in the process RTD seems to have shot it down, but it’s certainly true that the cast list matches perfectly. Plagiarising freely from the Leonardo Wiki:

Jonathan Bailey (Psi from “Time Heist”!) as Leonardo da Vinci, a young apprentice who loves painting, inventing, and creating new things. As the BBC Press Office put it, “He’s not just a genius; he’s an unstoppable, free-thinking creative force who’s always ten steps ahead of the rest.” Obviously the Doctor.

Flora Spencer-Longhurst as Tomaso/Lisa (of “Mona” fame), a girl who lives disguised as a male apprentice at Verrocchio’s workshop in Florence. According to the rumorhound, this would have been the Rani – although she also sounds a bit like Alanir …

Akemnji Ndifornyen as Niccolò Machiavelli or “Mac”, the number one man when it come to fraud or theft. He has a network of urchin spies and cut-purses throughout the city, and he likes money-making schemes and mingling with the rich and famous. Leo sometimes has to get him out of trouble. Obviously the Master.

Colin Ryan as Lorenzo de’ Medici, a wealthy boy largely bored of his life of luxury who enjoys sneaking away to join his friends. He is anxious to please his father, whom he greatly admires. The Monk, perhaps?

Alistair McGowan as Piero de’ Medici, an ambitious man and cousin to the Duke of Florence. He keeps a close eye on all happenings in Florence, and he heads a mysterious secret society. Borusa.

James Cunningham as Andrea del Verrocchio, Leo and Tom’s strict maestro. Leonardo is very loyal to him. The Doctor’s mentor Azmael, or an original character?

In light of this, I could totally believe that the blueprint of the young Doctor series was reused for Leonardo. If true, the transposition of the characters from Gallifrey to late 15th century Florence was frankly inspired. TIL Machiavelli and da Vinci were actually contemporaries!

(Incidentally, one of the script editors of Leonardo, Nina Métivier, also played a role in some of my favorite stories from the Chibnall era: she edited “The Woman Who Fell to Earth” and “It Takes You Away” in Doctor Who series 11, and of course she wrote “Nikola Tesla’s Night of Terror” in series 12.)

This wouldn’t be the first time that planned Doctor Who stories have been repurposed for other series: Wizards vs. Aliens (2012–2014) was made by the same creative team and played in the same timeslot as The Sarah Jane Adventures, and at least one episode was based on a SJA script that had gone unproduced after Elisabeth Sladen’s untimely death; some Dirk Gently and Hitchhiker’s Guide to the Galaxy stories had their roots in Douglas Adams’ rejected or unproduced Fourth Doctor pitches; and quite a few rejected Wilderness Era book and audio proposals eventually found homes outside Who, such as the Sixth Doctor pitch Smoking Mirror, which ultimately became into the Faction Paradox novel Against Nature.

But unlike those cases, where we know the character dynamics of the Doctor and their companion or Sarah Jane’s friends so we can spot their analogues in the new contexts, this young Doctor series is an attempt to do something new. Maybe we can spot the young Doctor and Master [edit: or can we?!], but we’ve never seen their friendship anything like this before – and as for the Monk being an impressionable kid trying to impress his father? It’s completely new.

We don’t have anything to compare Leonardo against: its existence is literally the only surviving hint of CBBC’s vision for the young Doctor and friends. And what a compelling hint it is!

[stagefoureddiediaz]

Hello to the almost same jacket for Eddie!!! Aisha and Anirudh really are the A team today - giving us all the goods!!! Aisha is doing gods work making sure we all understand that wardrobe really do think of everything and that colour and fit is very carefully chosen - Thank you queen!

the cuffs are different, so it isn’t the same jacket (also the fabric is a bit different - its hard to tell from the IG live still, but it isn’t herringbone weave like the 6x05 one is) but its close enough to draw a few parallels 🤓😎

first things first though - No watch Eddie 👀👀👀👀👀

Right jackets - fun things!! the khaki olive drab green is a very Eddie colour, but the fact we have a jacket cut in aa very similar style to the one form 6x05 is very interesting. the scene we see the 6x05 one in is very focused on Eddie being with Hen and Karen and them displaying their love and pride in one another. Obviously the scene is very much centred on hen moving on from firefighting (setting up 6x06 and her changing her mind) but the Eddie part of that scene is centred on the joyful expression of Queer love and him witnessing it. 

One of the key things about this colour way on Eddie when he’s wearing it as a jacket is that it is both his comfort blanket and an indicator of his mental health. Eddie has only really started wearing these olive drab jackets in season 5 - the one exception being 3x12 when he goes to apologise to Ana for overreacting about Chris!

as a result we invariably see Eddie in the olive drab colour jackets when he’s either struggling mentally  - 5x10 quitting the 118, 5x11 not going to the bar or at the Equestrian centre in 5x14 - or when he’s not necessarily struggling mentally per say, but something in the scene is important for Eddies storyline in connection with his mental health - such as in the scene from 6x05. The difference in them to be found is in the fit - the silhouette - the ones from season 5 are all much more loose fitting - oversized, and help make him look either ill (Equestrian centre jacket I’m looking at you!!) or like he’s trying to protect himself in some way. this makes total sense when you combine the choice of olive drab as a colour and Eddies military background!

So I am going to go out on a bit of a limb (as I have zero script context to work with here which always makes costume speculating a bit more difficult) and say that this new but slightly different jacket will be bringing us something in the same ball park as that one from 6x05 - especially if we are getting a firefam leaving at the end of the day or arriving in the morning scene from this - or something similar (because they wouldn’t be in the firehouse if that wasn’t the case!!) because it is better fitted than the season 5 ones, but its still olive drab. This being for either 6x17 or 6x18 is pretty important - Love is in the air, or pay it forward - really plays into that idea of something in a scene being important for Eddies journey in connection with his mental health - if its some form of coming out arc for him then I will be partying hard over the fact that the wardrobe team have subtly been showing us the way through Eddies olive drab jackets!!!

Then of course there is the fact that Buck is back in light blue - for the millionth time in season 6!!! If you’ve been reading my other costume metas from season 6 you will know I’ve been fascinated by the use of Blue on Buck in this season (metas can be found on my pinned post if you want a read!), especially pale blues and I’m very 👀👀 over the fact he’s still in pale blue at the end of the season! Also the white high tops are still there and they mean Buck moving forward on his journey - so combined with the pale blue - I’m very very excited!!!

[auntarctica]

When it comes to your writing how do you see the differences between the reboot interpretation of Dante and Vergil versus their classic counterparts? What parts stick out to you as similar or as different?

So, I'm in the minority camp that thinks Ninja Theory did kind of an interesting thing when they opted to switch storylines and birth order (for whatever that's worth with identical twins) between Dante and Vergil in the reboot.

I know a lot of people hate the idea of Vergil being the "little brother" in the equation and thought it made no sense and was a meaningless change, and I get where they're coming from, because it probably was - what I mean is, it likely wasn't intentional on NT's part, for any other reason than an attempt to instead make Dante the "cool older brother" and to differentiate themselves in one more way from OG DMC.

But what's interesting about both the shift in birth order and the storyline swap is that rather than undermining their innate characters, it actually reinforced them, and proved that no matter the formative circumstances, Dante will act like Dante and Vergil will act like Vergil:

Dante, whether he's the one protected by Eva or disenfranchised from society and family, will become secretly wounded, insouciant, irreverent, sardonic, flippant and cynical. He will be in denial about the true danger posed by Mundus, and determined to avoid his father's legacy, but reluctantly protect humanity when called upon - though not for free, of course. The toilets need flushing.

Vergil, whether he comes from rubble or privilege, will always be ambitious, idealistic striving, driven, calculating but rash, with the overconfidence of youth and a reach exceeding his grasp. He will have an Icarusian fall, and ultimately a phoenix-like redemption. (We presume a DmC sequel would/have follow(ed) the same reconciliation trajectory, because what else would make sense/serve the story?)

It also rather neatly answers and dovetails with the retroactive rhetorical question classic Vergil asks himself at the top of the Qliphoth, whether things would have been different if he'd had Dante's life, and Dante had his.

And the answer we already have from reboot is, no, not really. The outcome could only have been different if the individuals involved were totally different people - but their core character traits, I think, stay true and remain intact in both versions.

Still, obviously there are variations in character within those greater macro aspects, things that make the expression of these personality traits different, which we can attribute to formative experience, and the swapped backstory.

For instance, Classic Dante hides his profound psychological damage by being a party guy and a rock n' roll rodeo clown whereas DmC Dante wears his inside out; we can see his sullen punk-rock defensiveness, his bitterness, and we do not doubt his damage for a minute. Being the disenfranchised one has left its mark on him, and he has no ability or willingness to mask his trauma. Both keep others at arms' length, but ironically, ReDante actually is more receptive to intimacy and connection, possibly because he doesn't have a false front, or a whole circus-like façade, just a default defensive stance he holds as a last resort, after being embattled his entire life. He has been given the classic Vergil backstory, and while he becomes similarly defensive and embittered, he reacts like Dante, not classic Vergil.

Neither Dante is ever canonically shown as having any particular interest in humans or humanity as a whole, so much as a keen interest in killing demons (which is why the ending fraternal conflict of reboot rings so false, non sequitur and hollow). Both shrug off human collateral damage, and if classic Dante is ever bothered by the mass casualties incurred in the raising of the Qliphoth, he never mentions it as he trips over their bodies to run to his brother. ¯_(ツ)_/¯

Of the two, I think Vergil is the more different, with more personality contrast between interpretations - though his core traits remain: curiosity, intrepidity, enthusiasm, perfectionism, impulsivity, absolutism. With the strife removed from his life, Vergil is able to be emotionally open, to express his love for his brother, and his ambition comes from a proactive place instead of a reactive one.

However, like Dante, all his youthful flaws remain intact. He will always be the one who falls - and Dante will always be the one who fails to act at the crucial moment. The tragedy is thus complete.

The greatest difference, I think, is that classic Vergil has even less use for humans than Dante, whereas ReVergil is arguably the only one who actually has any appreciation for humanity as a class (even if he regards them as lesser beings) - which actually puts him more in line with classic Sparda, ironically, than anyone else. Reboot Sparda is never shown as having any particular interest in humans or their fate, and he and Eva are essentially depicted as just hiding out in the human world like it's witness protection.

That said, I'm sure I'm missing something, so I'm actually interested in hearing other people's opinions on this.

[phoenix-is-the-hottest-thing]

I hope expys go better this time since its between Honkai titles (and ye i know they're connected thru peepaw but it still kind of feels like a mistake to make it a Honkai title, but that's besides the point), but considering we got drama day one with Bronya and Seele I don't have high hopes and kinda dont want em. But.

If we ever get a Hua expy. I think itd be funny if she got to murder Yanqing's parents again. As a treat.

I don't really understand what you mean by drama day one ?-? HSR BronSeele was a really strong storyline to me, they nailed the enemies to lovers speedrun considering that you have to play the third wheel for most of it. It was very sweet and it makes me super happy for them to find each other in every universe. Go lesbians go

Personally I treat these "expies" the same way I'd treat Bronie or Kasumi, they're basically bubble universe alts. It's pretty different from Genshin's expies honestly? They feel much truer to the spirit of the original storylines they're from— Bronya Rand's character is very different but her growing up this way when raised in a strict environment by Cocolia is believable, plus she still has some of the same values (protecting her family and friends). She also obviously dodged the massive trauma Bronya Zaychik goes through so it makes sense for her to have developed differently.

Regarding Seele, it might seem strange for such a soft-spoken character to be Like That, but if you look at the Firemoth DLC of ggz (Hi3 isn't the first Honkai series game remember?) she did the exact same thing, putting up a strong front due to desperate conditions— HSR Seele is most likely an homage to this version of her, down to the designs being very similar.

AS FOR HUA...

Hua is the Marshal of Xianzhou's Cloud Knights, so we're definitely meeting her eventually. When? No clue. But eventually. Totally doable that she murdered Yanqing's parents again hahaha.

Sushang and her mother Suyi are also in the game (the former is playable, the latter is mentioned in Sushang's stories) so I expect we'll see all seven disciples. Plus Luocha is the Seven Swords version of Otto, obviously, so it'd make sense for the whole cast to show up. Wonder if they'd also bring in more minor characters like Eagle though. Or Ma Feima's horse, Erebus... x)

[namtanlovesfilm]

Heyyy girl! Not sure if you’ve answered this before but what are your fave non gmmtv bls/Thai dramas?🪷💗

hi anon! I don't think I actually have, all in the same post! let's go <3

I TOLD SUNSET ABOUT YOU

I've talked about this show about a thousand times already, so I'll keep it short: this is the only show I consider truly perfect, from its writing, cinematography, acting, chemistry, storyline, soundtrack, etc. it's not for everyone bc it's VERY angsty but it's deffo my cup of tea & I'm gonna be honest teh's coming out storyline was extremely important to me as it came right before I also finally accepted my bisexuality. overall just my favorite show, so important & beautiful with deeply flawed characters <3

PROJECT S: SKATE OUR SOULS

this show is the only other one with itsay I've rated a 10/10 in my life, even though it's not perfect, because it literally changed my life. the last sentence of the show literally helped me get over the worst depressive episode of my life, which is a pretty goddamn beautiful result for a show about depression. even though it's not entirely perfect, it's still an extremely well written show, has a gorgeous cinematography full of neons, incredible performances & a story that was so important to tell. I couldn't recommend it more!

PROJECT S: SIDE BY SIDE

in also a near flawless show, we have this show. it's a very touching story that will make you cry, tries to understand all of its characters, with stunning acting performances from everyone, and it's just the kind of shows I don't see anyone disliking tbh. very well executed & definitely an all time favorite of mine :)

THE REVENGE

probably the most underrated show on this list, this is actually the show I'm the most upset about being underrated lol, bc it's literally SO GOOD. if it was a korean show it'd go viral type of good. this is a very fucked up story so not for the faint of heart but it's executed extremely well, and honestly I don't have much negative to say about this show. flawless performances, an extremely impactful show, and forever one of my favorite thai dramas ever made!

SLEEPLESS SOCIETY: INSOMNIA

another highly underrated thai drama that no one has watched. this is female-led, touches on politics & corruption, has a very different setting from usual & a great plot through and through. the ending is also super iconic & stays on my mind to this day. I really encourage anyone to watch it!

MY RIDE

if you like love sick or my school president, I think my ride will be your cup of tea. it's a pretty simple story but with such lovable characters & a beautiful healthy ship that it immediately became one of my favorite comfort shows. it's the ultimate proof that even a more simple story can be beautiful if given enough soul, quirkiness & love :)

IN FAMILY WE TRUST

in family we trust is a lakorn, but it doesn't feel like a lakorn. apart from the obviously beyond iconic cast at every level, the writing & cinematography are leagues above any other lakorns. for a murder story that should be pretty straightforward, they managed to weave in the interpersonal relationships of the characters perfectly, and this is the kind of show that you can put down once you start. if you've never watched lakorns before, I'd recommend this one to start with since it's quite similar to regular series.

TO SIR, WITH LOVE

another lakorn, another slay! this one is way more lakorn-y so I don't think it's for everyone, but it's literally the only lakorn that treats its queer characters fairly lol & it's such a beautiful love story. it's very dramatic bc 1) lakorn & 2) historical drama with repressed queer characters, but everything in this drama just HITS. you care for the characters so much, and the brother relationship is also so supportive & beautiful and I'm so glad the show never compromised it for some petty drama. overall this show put me through all the emotions & I loved it so much for it lol

GREAT MEN ACADEMY

this show is the proof of the kind of imagination thai film makers have when they get a good budget. the world building of that show is so vibrant & fun, but more than that the writing is really good with endearing characters, good interpersonal relationships, and a really beautiful love story & plot. this is just such a nice show to watch, even with its kind of childish aspect, and once again the cast is great since it's the same as in in family we trust lol. watch both shows back to back & be shook at how drastically different yet so good they both are :)

THE DEBUT

another super underrated show that no one has watched but fucking slaps. not only is it female-led with amazing performances (and a great cast!), but this show really is so well written, with a mystery & a plot twist that will pull you in and make you bingewatch it. the cinematography & colors also slap, and overall it's such a good show that I wish more people would watch.

xxx